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Brand & Cultural Strategy

Brand strategy research that tells you which brand decisions are worth the money.

Brand is the decision everyone in the room has an opinion about, and opinions stay cheap right up until the rebrand invoice arrives. A positioning that feels distinctive in a workshop can land in a market that reads it as more of the same. We read your category the way your customers read it, while there’s still time to change what you say.

  • Senior specialists
  • H3™ method
  • Anthropology-led

What’s at stake

In the workshop, every brand sounds distinctive.

  1. “Our values are clear.”Values nobody can see
  2. “We stand out in the category.”The same codes as everyone
  3. “The new identity tested well.”Liked, then forgotten
  4. “The tracker is stable.”Meaning drifting underneath
  5. “The rebrand will fix it.”An expensive repaint

Depth is what keeps it standing.

Our lens

We read brands the way anthropologists read symbols.

A brand means something out there whether you designed that meaning or not. The category has spent years training people to hear certain words a certain way, to read a colour as trustworthy or as cheap, to treat a claim as proof or as noise. People follow those rules without being able to explain them, which is why asking directly gets you a polite answer and not much else. That’s where our H3™ method earns its place: three lenses, fused into a single reading you can act on.

H3The H3 fusionWhere the three lenses become one

Many firms combine methods. We fuse them, cross-checking every finding across all three lenses.

It answers What is actually true, and how confident can we be?

How the fusion works

What we do

Four ways we turn what people already believe into a brand position you can own.

Each one answers a different question in the life of a brand, from the position you claim to the meaning the category assigns you without asking.

Brand & Cultural Strategy | 01 of 04

Brand positioning and differentiation

Research into what your brand means to people today and where your category still has room, so you can choose a position customers notice and your team can defend.

Why this is a challenge

Positioning gets written by people who know the brand better than any customer ever will. On the shelf, the line that felt bold in the room reads like everyone else’s.

This is what we do

We find out what your brand already means, where the category still has room, and which position you can take and actually hold.

The map changes when the axes do Tap any brand to read it
Product quality What it says about me Says about me Higher High Lower Low A lot Very little Little Lower Higher Takes work Slow Immediate Instant Price How easy you are to trust Easy to trust Ground you can take Yours to take Everybody claims this corner All the same corner The heritage one The challenger The value one The specialist The lifestyle one You

Is this for you?

Tick the ones that sound familiar.

Two or more sound familiar? That’s usually where our first conversation starts. Tell us the decision you’re facing

What you get

  1. 01What your brand already means, in the words people actually use
  2. 02The axes buyers judge on, which are rarely the ones the category assumes
  3. 03Where the space is open, and whether you can credibly stand there
  4. 04A positioning you can defend, with the evidence sitting underneath it
  5. 05What to say and what to stop saying, mapped to each audience

Brand & Cultural Strategy | 02 of 04

Brand health and equity tracking

Tracking that explains every movement in your brand metrics, with its cause found in the conversation and in fieldwork, so you can act while there’s still time to change the number.

Why this is a challenge

A tracker tells you that a number moved and almost never why. Awareness slips two points, the deck calls it within margin, and the real cause turns up eight months later.

This is what we do

We run the tracking so every movement arrives with its cause attached, early enough that you can still do something about it.

Three lenses watching the same twelve months Drag across the timeline to read any month

A brand slowly loses relevance. Conversation notices it in month 2, fieldwork in month 5, and the tracker not until month 8.

Each lens against its own month 1 Vs month 1 Holding Hold Eroding Erode Month 1 M1 Month 12 M12 One year of the same brand Talk turnsTalk Fieldwork catches itFieldwork The number movesNumber

Illustrative pattern. Each line is indexed to its own month 1, so the three are read for direction, not compared as one metric.

Is this for you?

Tick the ones that sound familiar.

Two or more sound familiar? That’s usually where our first conversation starts. Tell us the decision you’re facing

What you get

  1. 01The metrics that actually predict your revenue, not the category defaults
  2. 02Every movement with its cause attached, from conversation and from fieldwork
  3. 03Early warning, because talk shifts months before the number does
  4. 04Where you stand against competitors, on the terms buyers actually use
  5. 05A read your board can act on, not a scoreboard they nod at

Brand & Cultural Strategy | 03 of 04

Brand and portfolio architecture

A map of what each of your brands means to buyers and where they overlap, so every brand has a job of its own and you stop paying for the overlap.

Why this is a challenge

Portfolios rarely get designed; they grow one acquisition and one launch at a time. Customers don’t see a portfolio, they see a shelf, where two of your brands often answer the same question.

This is what we do

We map what each brand actually means to buyers, where they collide, and which structure lets every one of them do a job the others can’t.

Does every brand here do a job the others cannot? Hover or tap any row to read it

Rows are what buyers are trying to get done. Columns are the brands you own. Read across any row to see who is answering it, and how many of them.

Illustrative portfolio. Brands are shown as archetypes, not as any real company.

Is this for you?

Tick the ones that sound familiar.

Two or more sound familiar? That’s usually where our first conversation starts. Tell us the decision you’re facing

What you get

  1. 01What each brand actually means to buyers, in their words, not yours
  2. 02Where your brands collide, and how much that overlap is costing you
  3. 03The demand nobody in the category is serving, yours included
  4. 04A structure that says which brand does what, and why
  5. 05A migration path for the names you retire, so equity moves instead of evaporating

Brand & Cultural Strategy | 04 of 04

Semiotics and symbolic analysis

We decode the signs, colours and images your category uses to signal quality, trust or price, so you know which conventions to keep and which to break before you produce anything.

Why this is a challenge

Every category runs on a code nobody wrote down, in colours, type and images. Customers read it fluently but can’t explain it, so asking them directly gets you very little.

This is what we do

We decode what your category has trained people to expect, so you know which conventions to keep, which to break, and what breaking them will actually signal.

The same symbol, three categories, three meanings Pick a symbol to see it change meaning

A symbol carries no meaning of its own: it borrows one from the category it lands in, which is why the same design decision can read as heritage in one aisle and as fancy dress in the next. How strongly, and for whom, is never a given.

Illustrative readings, not rules. Codes shift by market, by segment and by year, and any of these can be contested inside the same category. That’s why we measure them rather than assume them.

Is this for you?

Tick the ones that sound familiar.

Two or more sound familiar? That’s usually where our first conversation starts. Tell us the decision you’re facing

What you get

  1. 01The codes your category runs on, named and ranked by how binding they are
  2. 02Which of them you follow without ever having decided to
  3. 03What a specific break would signal, before you spend on producing it
  4. 04How the same symbols read in each market you operate in
  5. 05A brief your agency can execute against, not a mood board

Who runs your project

Senior anthropologists on the work, from the first question to the final reading.

Boutique has a practical meaning here: Abdo López and Norah Walsh, both social anthropologists, work on every project, and nothing is handed to juniors once the contract is signed.

2017
Founded in Asturias, Spain
25
Countries with local fieldwork
38,000+
Participants in our studies
100,000+
LinkedIn Learning learners
Social & Cultural AnthropologistAbdo LópezCo-founder & CEO
Read about Abdo
Social & Cultural AnthropologistNorah WalshCo-founder & Head of Research
Read about Norah

“The riskiest assumptions are the ones everyone in the room already agrees on. Our job is to find out whether they’re true before you bet on them.”

Abdo López and Norah Walsh

Straight answers

Questions we get about Brand & Cultural Strategy

Something else on your mind? Ask us directly. You’ll get an answer from the people who would run the work.

How long does a brand or positioning project take?

Most brand work runs between six and twelve weeks, though every project is scoped on its own terms. A semiotic read of one category moves faster than a positioning study across four markets with fieldwork in each. Tracking is different again, because it runs on a rhythm rather than to a deadline, and the first wave takes longest because that’s where the questions get built. We study the specific challenge first, then give you a timeline alongside the quote, and that’s the timeline we work to. If there’s a rebrand date or an agency briefing in the calendar, it shapes the plan from the start rather than turning up as a problem halfway through.

What does a project like this cost, and how do you scope it?

Every quote is built for the project, because the variables move a great deal. It depends on how many techniques the question needs, who we have to reach and how hard they are to recruit, whether that means consumers, B2B decision makers, clinicians or niche experts, how many countries, how many participants, how deep the analysis goes, how urgent it is, and what you need in your hands at the end. A semiotic study of a single category and a twelve month tracker across five markets are different projects with very different numbers. Most of our projects sit in the six-figure range. We scope after a proper conversation about the decision you’re making, and you get a fixed price and a timeline before any work begins.

How do you measure something as soft as brand perception?

Perception isn’t soft, it’s just often measured badly. Ask people directly what a brand means to them and you get a rationalisation, because people rarely have access to their own reasoning at that level. So we come at it from three sides at once. Qualitative gets at the associations people can’t articulate on request, through how they compare, sort and tell stories rather than through direct questioning. Social listening reads the language they use when nobody is asking, which is where new meanings appear first. Quantitative puts a size on it: how many hold each association, how firmly, and how it moves. Fused together, the three give you something you can put in front of a board, with the number and the reason for the number arriving in the same sentence.

Our tracker says we’re fine and sales say otherwise. Who is right?

Usually both, measured at different points in the same process. A tracker reports outcomes, and outcomes move last. Before preference falls, the vocabulary of the category shifts, then people start describing you with words nobody in your business would choose, and only then does the number follow. Sales feel that months earlier because they’re in the conversation. What we do is put the three signals on the same timeline, so a movement in the metric arrives with its cause attached and you can see how far upstream it started. Often the finding isn’t that the brand got worse, it’s that the question buyers are asking changed and the tracker kept measuring the old one.

We already have a brand book, an agency and a tracker. What does HIPOPOTESIS add?

We build on what you already have rather than starting from zero. The brand book tells us what you intend to mean, the tracker tells us what has already happened, and the agency knows how to execute. What tends to be missing is the piece in between: what your brand actually means to people right now, in their words, and why the category reads it that way. That’s the gap where expensive mistakes tend to happen, because a rebrand briefed on intent rather than on evidence is a large bet placed on an assumption. Closing that distance is the work, and it usually makes the agency better rather than replacing it, since a brief built on evidence is a brief they can execute against.

What does semiotics tell you that asking customers doesn’t?

It reads the system rather than the opinion. People are fluent in the codes of their category and can rarely describe any of them, in the same way that you speak your language without being able to state its grammar. Ask someone why a typeface feels trustworthy and they’ll invent a reason on the spot, sincerely. Semiotics goes at it from the other end, looking at what the category has trained people to expect, which conventions are still doing work and which have been adopted so widely they have stopped meaning anything. That matters most in two situations: when your work keeps coming out looking like everyone else’s and nobody can say why, and when the same message performs completely differently across markets. Neither of those has an answer that a respondent can give you directly.

Do you deliver research, or the strategy that comes out of it?

Both, and the connection between them is what the firm is built on. We call it insight-led strategic intelligence because research earns its cost when it makes the strategy sound. A real understanding of the category, the culture and the people in it is what separates a positioning that holds up from one that sounds good in a room. So you get the evidence and what to do with it: which position you can credibly take, what to say and what to stop saying, which brands in your portfolio are doing a job the others can’t, which conventions to keep and which to break. The point of all of it is that your company loses less time and money going in the wrong direction.

Who will actually be working on our project?

Abdo López and Norah Walsh lead every project in person, from the framing session to the final reading, and everyone working alongside them is senior, with more than a decade in the field. Around that core we build the team for the project. The right specialist for a luxury category isn’t the right specialist for financial services, and the right partner for fieldwork in Mexico isn’t the right one for Singapore, so we select the experts, the partners and the technology that fit the question, the technique, the country and the industry. There’s no handover to a junior once the contract is signed, and that’s the main reason we stay small.

You already mean something out there. Now let’s find out what.

Tell us the decision you’re carrying: a costly rebrand, or a category where everyone looks the same. You get a fixed price and a timeline before anything starts.

  1. You get in touchBy email, through the form or on a video call, whichever suits you.
  2. We ask for the briefEvery detail we need, so the proposal is shaped around what you actually require.
  3. We design the proposalThe approach that answers your objectives, with the timeline and the budget.
  4. Approval, and we beginYou sign off, the paperwork is settled, and the work starts.
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  • Senior researchers only. No juniors.
  • End to end. Design, fieldwork, reporting.
  • No AI automation. Any use, disclosed.